we'll never know.Ĭharlotte (Kate Beckinsale) and Alice (Chloe Sevigny of " Palmetto ") are two young women who use their good looks to make it into the club, leaving their shabbily-dressed compatriots to shiver outside.
I'm beginning to think that the old system of people getting married on the basis of mutual respect and shared aspirations, and then over time earning each other's love and admiration worked the best. Van (Burr Steers) is the arrogant doorman who acts as gatekeeper for the club, deciding who is 'good enough', and who isn't. Like the dog-eat-dog corporate world outside, only the rich, well dressed, and beautiful could jump ahead of the line. In September, sometime during the early 1980s, a group of recently graduated twentysomethings cross paths in a New York disco which looks suspiciously like the famed Studio 54. Chronologically, this film takes place in a time period between his debut " Metropolitan " and his follow-up "Barcelona". " The Last Days of Disco ", independent writer/director Whit Stillman 's third feature, takes place during the final days of the Disco Sound.
#The last days of disco full#
You know the Woodstock generation that were conceited and so full of themselves? They couldn't dance. It may have simply been the result of people just getting older. So it may not have been the backlash, the record labels, or new musical genres that killed disco. In fact, it was in 1977 that the Baby Boom Echo began, when birth rates in North America began to rise for the first time in ten years. However, as the Eighties approached, many of the Baby Boom generation did not go out as much anymore, as they had begun to settle down and start families.
#The last days of disco free#
With their rising incomes and relatively few responsibilities, they had large amounts of disposable income and free time, both of which were spent going out. By 1975, the bulk of the Baby Boom were in their early twenties. The Baby Boom encompassed the generation born between 19, with the majority of this demographic group being born between the years 19. So what killed the Disco Sound? Was it the growing backlash? Was it a conspiracy by the record labels to move consumer tastes to a more profitable musical form? Was it the growing popularity of video games, gobbling up the disposable income once reserved for leisure suits? Was it due to a change in musical tastes? The death of disco may have been due to some or all of these factors, but I offer another one: demographics. Other analysts have also blamed the decline of the Disco Sound on the growing popularity of video games, which siphoned discretionary income from record sales in favor of feeding the growing number of "Space Invaders" machines. The record labels were also looking forward to an end to disco's reign, citing that the popularity of disco music never translated well into LP (remember those?) sales. The unruly fans, instigated by Dahl's actions, stormed the field and trashed the stadium. This riot, incited by Chicago DJ Steve Dahl, started with Dahl setting fire to hundreds of disco records during a White Sox doubleheader. Furthermore, the anti-disco backlash was gaining momentum, with the most famous incident occurring in July of that year- the "Disco Sucks!" riot that engulfed Chicago's Comiskey Park. However, by 1979, disco's luster began to fade, as new music genres started to dominate the mainstream charts, such as New Wave and Punk. With high-tech clubs sprouting up all over the place, disco-format radio stations taking over the airwaves, and disco instructional classes preaching to the newly-converted, the Disco Sound seemed unstoppable. Later on that same year, with the theatrical release of " Saturday Night Fever ", disco fever gripped North America and became an industry unto itself. The major record labels stood up and took notice of the numerous independent music houses pumping out new records in an effort to satiate the feeding frenzy for new disco tunes.īy mid-1977, there were upscale disco clubs in every major urban center where the growing masses of disco enthusiasts could dance the night away. Bolstered by the introduction of the twelve-inch single, which suited the extended mixes of the Disco Era, the club culture crossed over into the domain of mainstream music. The Disco Sound emerged in the mid-Seventies, bringing with it the entire club culture. I just hope that it will be within my lifetime.
#The last days of disco movie#
The Last Days of Disco Movie Review Movie Review by Anthony Leong © Copyright 1998ĭisco was too great and too much fun to be gone forever.
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